摘要
文化认同是个人的特征，也是由具有相同文化认同或教育背景的人组成的一定群体的特征。舞蹈作为跨文化交流的媒介，能够表达特定的文化身份信息。舞蹈探索身体的运动。舞者通过身体与观众交流。舞蹈可以向观众传达一些抽象的观念。舞蹈不仅仅是一种身体的交流动作，并且与社会、客观世界相联系。本文旨在探索编舞如何整合以阿克拉姆·汗的舞蹈创作为例，探讨跨文化主义。我将重点展示他在编舞中如何体现新的跨文化主义。具体来说，我将以汗的舞蹈作品为基础，探讨如何将文化认同融入到编舞中。Khan的作品《零度》（2005）、Desh（2011）和XENOS（2018）将在以下部分进行分析。通过尊重其他文化和分享想法，文化差异引起的问题可以得到缓解。
关键词： 跨文化性；编舞；文化身份
Abstract
Cultural identity is a personal feature and a feature of a certain group consisted of people who have the same cultural identity or educational background. As an intercultural communication media, dance can express specific information about cultural identity. Dance explores the movement of the body. Dancers communicate with viewers though bodies. Dance can convey some abstract ideas to the viewers. Dance is not merely a communicative movement of the body, and it is associated with the social and objective world. This essay aims to explore the way choreography integrate interculturalism using Akram Khan’s dance creations as examples. I will focus on exemplifying the manifestations of his new interculturalism in his choreography. To be specific, I will investigate how cultural identity can be integrated into choreography based on Khan’s dance works. Khan’s work Zero Degrees (2005), Desh (2011), and XENOS (2018) will be analyzed in the following sections. By respecting other cultures and sharing ideas, the problems caused by cultural differences can be mitigated.
Key words： Interculturalism; Choreography; Cultural Identity
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