A Pictorial Interpretation of Beckman’s Triptych on Departure
《出发》三联画的图画解读

摘要

《出发》是德国表现主义画家马克斯·贝克曼的第一幅三联画。虽然不是名家名作，但画面中表现出的世俗与阴暗沉静的双重冲突引发了作者的研究热情，作者在直觉理论和人生哲理的基础上，以抒情手法表现客观的外部世界是一个纯粹的精神世界，以客观再现现实作为认识态度，揭示事物的本质，画面浓烈的色彩、狂野的笔触也描绘出他内心最真挚的情感。文章从图像学的视角，结合泛图像学，在前人研究的基础上，从图像描述、图像分析、图像阐释三个方面对马克斯·贝克曼的《出发》进行研究，进一步探究“丑”这一艺术形式对传统审美倾向的颠覆与创新以及突破惯性思维审美心理模式的艺术价值。以及他对当代绘画艺术的影响。

Abstract

"Departure" is the first triptych of German expressionist painter Max Beckman. Although it is not famous masterpiece, the picture displayed the secular and dark quiet down double conflicts caused the author's study enthusiasm, the author on the basis of the theory of intuition and life philosophy, to lyricism of the objective external world is a pure spiritual world, taking the objective reproduction of reality as a cognitive attitude reveals the essence of things. The strong colors and wild brushstrokes used in the painting also depict the most sincere emotions in his heart. Article from the perspective of image study, combined with pan, the base of studying previous image description, image analysis, image interpretation from three aspects to study Max Beckman "departure", further explore the "ugly" to make the art form of subversion and innovation of traditional aesthetic tendency and break the inertial thinking aesthetic psychological pattern of artistic value. And his influence on contemporary painting art.